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would love it for RIM....I use a small Foretrex GPS now, but I'm always carrying my cell for off-landings. I'd rather just use my cell.
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The Hypeye will turn on the CX7 in the same way it will turn on the 105. I'm confused about the "turn on manually" aspect of your statement. Whether you use the Hypeye or the on/off switch, an action to power up the camera is required. It can't simply know to turn on when it reaches a specific altitude (although that would be cool, and IS doable).
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Any time. Now that you've got a respectable haircut, you deserve a respectful answer.
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figured for giggles I'd post a bit of an update. I'm finished with all surgeries; ACL/MCL repaired, I'm now three ethnicities. Physical therapy is going, albeit a challenge that I've never had to meet in my life. Lying in bed for 3 months has left me pretty weak and between the 26lbs I've lost and the many inches in my legs now gone, it's a challenge just to walk. John and Valinda Mitchell visited my home yesterday, and it was the first day in 3 months where the majority of the day wasn't spent in bed immediately after therapy (I had in-home therapy for 2 months). They kept me walking around the room and it proved that while I have zero stamina, I could at least be semi-normal. Today was my second day where I spent zero time in bed during the daylight hours, and I was privileged enough to hang with these two at my home DZ. What a blast. My doctors and therapist tell me that my knee is roughly 6 weeks ahead of schedule. Why, I don't know. I do know the cards, PM's, phone calls, visits, and general support have really helped me keep my spirits up and my motivations strong. Thanks to all of you that have offered support in one way or another. I'm very excited to be a biped again as of 4 days ago, and hope I'm never a tripod, quad-pod, or wheeled animal ever again. I'll be wearing a knee brace for a while til the ACL/MCL grow into strength, so if you haven't met me, I'm the guy with the Blue/Yellow knee machine. John and Valinda, thank you so much for making the past two days the best I've had since June 8. For the first time in over three months, I feel terrific. edited to add for Turtle; Thanks for asking after my "ball," which has now returned to plural.
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Kinda fun, isn't it? But...I'm confident there is a big difference between knowing the tasing is coming, and having it come as a surprise while amped up on adrenaline. My elder brother is chief of law enforcement and former president of the Utah Peace Officer's Association. At their fundraisers each year for the Fallen Officer memorial, they allow people to be tased for a donation. I've gone every year. They do have you sign a waiver, not much different than skydiving.
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That's great info DSE, thanks for posting that. A friend and I were debating how much force would be required last week at a boogie. Good to know solid data exists! I dunno if I'd call it "solid" but it's pretty telling. Maybe the tape gets stronger or weaker over time. Maybe users don't always use alcohol on their helmets before adhering the tape, maybe maybe, maybe... it was mostly a curiosity than anything else. Either way...it was pretty surprising to see the scale cross 200lbs pull force. Hey....when you're not able to jump, you come up with all kinds of dumb things to occupy your time.
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It's an HDV playback deck with a preview monitor. It has jog/shuttle and mem stick output for capturing deinterlaced stills from the video. It will allow you to preview video from your NLE via firewire/iLink. That's it. IMO, the -only- benefit this deck brings to a DZ is the ability to take a tape from a videographer as he/she comes off a load, use the deck to Xfer the media to the computer, edit, and preview the edits. Pretty expensive, short-term application. Unfortunately, HDV is *almost* dead, because of the requirement for tape.
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Managing Media on the Dropzone Whether for positive or negative reasons, every dropzone in the world should expect a visit from local news media at some point in time or another. This is a short guide to help you best understand how to manage modern media on the dropzone. For starters, understand that the media generally considers skydiving as an "extreme sport" so they're often willing to portray it from a perspective using terms like "dare-devils," "Adrenaline junkies," "thrill-seekers," and so forth. It's not necessary to encourage these labels; they'll exist anyway. Remember always, that any press is good press, but well-managed press is GREAT for the DZ and the sport. INVITING THE MEDIA TO AN EVENT AT THE DROPZONE If you've got an event at the dropzone, such as a celebrity jump, someone's Xthousandth, a war hero, multiple generations of a family, competitions, special guests, etc, you'll likely want to invite the media. It's not quite as easy as it may seem. Here are some rules and practices of etiquette that will enhance your chances of succeeding in bringing the media to the dropzone. -Send a short press release no further than four weeks out. Follow up two weeks out. Follow up one week out, and send a final release the day before the event. Press releases should NEVER be longer than one page. -Make sure the press release contains at least two contact phone numbers. At least one of those numbers should be an after-hours number. It should also CLEARLY state the date and time the event is taking place. -Include some action statements and if you're creative, you might consider generating one or two subtle headlines. "The Family that Jumps Together, Lands Together," "World-Record Skydiver Visits XXXX Dropzone," "Human Birdmen Flock to XXX Dropzone," etc. These headlines will almost assuredly not be used, but will spark the creativity of the reporter or editing staff, and most importantly, the assignments desk. -Have a place for the media at your dropzone. Assign a dropzone liason to stay with the media during the entire event. This person is not only there to answer any questions, but to also guide the media to safe areas during landings, help them to find the best angle with safety in mind (they'll almost always want the sun at the back of the camera operator), and more importantly, act as their friend during what is likely an unusual experience. It's a good idea to have cold bottled water on hand if it's a hot day. They're your guests, treat them as such. The person assigned to act as a media liason should be well-spoken and well-groomed. Articulation is very important. Remember, this person is representing YOUR dropzone and our sport to the masses. He/she may not appear on camera, but if he/she will appear on camera, be sure they're wearing clean, non-wrinkled clothing with neatly groomed hair. They should be able to start and complete a sentence without "ummmmm," or showing a lack of confidence. They should be able to smile and speak with a slowed cadence. If it's an exciting event, great. But fast speech is slurred in most instances, unless they're a trained speaker. They should know the language of "sound bites." Like it or not, the MOST airtime your event will receive is 2.5 minutes and that length of time is fairly rare. Being able to speak in concise, clear sentences will assure that you'll get maximum airtime, and likely increase the chances of the media wanting to return for future events. RULES OF ETIQUETTE -Don't send photos or video via email before the event. Send links to downloadables, links to photos, or make it clear that photos and video will be made available on the day of the event. -Don't ask a reporter if they received your email. -Don't ask for a copy of the story. If you want it badly enough, go get a copy for yourself. The reporter has other things to do. Your event is a big deal to you; to them...it's just another story. -Never provide gifts of any kind to reporters. It's bad form, and could be misconstrued. -Don't expect reporters to do tandems. If they ask, great. If not, don't push. Some reporters have clauses in their contracts that prevent them from doing anything considered to be a "high risk." You don't want to be known as the dropzone that broke the reporters leg or tailbone. -Don't call reporters during deadline hours. It's a good idea to ask a reporter when the best time to reach them might be. Don't repeatedly call; it may be seen as harassment. Don't be "that guy." -Don't spam every reporter at the media source. If you don't have a cultivated contact, send email to the City Desk or assignments editor. DEALING WITH THE MEDIA IN TIMES OF AN INCIDENT "If it bleeds, it leads." Period. That's ALWAYS the axiom of the news media. Deal with it. Death, mayhem, corruption make for more interesting stories that up ratings. Depending on the story, it can quickly go huge. Cases in point, my own incident went nationwide due to my small celebrity stature. Another case in point, the guy that dropped his paraplane into a crowd and injured six people, including small children. Both generally small stories, but mine occurred on a slow news day, and the paraplane story had great footage from an amatuer camera. Understand you can't stop this from occurring, and trying to keep the media away from injuries or fatalities only piques the interest and will make your dropzone look as though you've something to hide. You cannot win against the Fourth Estate. Deal with it. If you have a fatality or unusual incident, you should; -have someone pre-designated to speak to the press. This is critical, and this person hopefully has already rehearsed or has spoken to the press before. As previously mentioned, this person should be capable of articulate, intelligent speech. -NEVER speak off the record. Ever. There is no "Just between you and me" with reporters. Ever. Gossip is the fodder on which they eat. Shut your mouth. -Do not provide details about an incident; it's usually too early to provide details anyway, depending on how quickly the press arrives at your dropzone. This is not the time for some arrogant, ego-driven jackass to be promoting his authority on the subject of skydiving. Merely by appearing on camera will give an air of authority, and a brief sound bite is all that is needed. Later, we'll look at some general methods of speaking. -Do not allow the press to shoot images of any aftermath if possible. There are alternatives to managing this better, such as a Crisis Kit or EPK (Electronic Press Kit). Every dropzone should have one of these. -If you have footage of the incident occurring, the DZO, DZM, or S&TA; should be given a copy, and its usually a good idea to have the videographer turn over the original work so it doesn't show up on YouTube or similar. Bear in mind that any video may be retained by the police or investigators as evidence. Fatalities are treated as a crime scene in most areas. Help, don't hinder.Skydivers are our own worst enemies. Case in point, at the USPA Board of Directors meeting, I was informed that the FAA has watched several wingsuits buzzing tandems. They're watching. They've also watched videos of DZ's busting clouds and I'm aware of at least one DZ that was visited and ramped, simply due to a video of skydivers busting clouds. Keep a tight lid on footage of incidents and have someone worthy of responsibility and sound judgement decide what to do with the footage. This is why one reason I've encouraged my home DZ to institute a "Work for Hire." Tandem footage or hired aerial camera footage belongs to the DZ, not the camera flyer. -Keep statements short and as glib as possible. Here is an actual (shortened) transcript of a Dropzone Operator speaking to the press; "The guy was doing a low turn, he turned low with his toggles, turning too close to the ground. When the parachute turns close to the ground, it loses altitude and his body slammed into the ground. He made a mistake and he's now badly hurt. We'd talked to him about low turns before but he just kept doing them...." The DZ rep was still talking as the press cut back to the news room. In other words, he desperately needed to show his superior intelligence about the sport of skydiving and was reveling in his 15 minutes of fame. And wouldn't shut up. Not good. For anyone involved. Additionally, the end result of this poor presentation is that the skydiver ended up having his insurance company challenge various aspects of their payments, citing that he willfully put himself in a bad situation by turning low, and that he was negligent. Do you really want to put one of your buddies in that situation regardless of what may have occurred? Finally, if you're hot-headed, avoid being near the press. Incidents are emotional, and hot-heads and high emotions don't mix with the media. A recent incident had a skydiver become aggressive with a news camera. The news station gathered unflattering footage that may be trotted out whenever there is a skydiving incident, and the station has a prejudiced view of skydiving in general, simply because of an immature, emotional person that felt they needed to keep the media off the DZ. In the future, do you think the media will present pleasant, happy stories about skydiving? Keep these sorts of people away from the media. A better example (and a paraphrased version of another incident report); "We're not yet exactly certain what happened. All we know at this time is that unfortunately, one of our friends has been injured, and we won't know the cause until we talk to everyone who actually observed what occurred. We will be providing a full report of the incident to the USPA, and that report will be available to you as soon as we have it." Simple, short, and sweet. It doesn't degrade the skydiver, doesn't give the news a "push" to assure it meets the "bleed." And it's all true. Be brief and stay on point. You'll also get more questions. Answer them confidently, briefly, articulately. Don't be afraid to say "It's too early to know that," or "That's a great question, and we hope to have an answer very soon." Additionally, don't be afraid to say that "Skydiving is a high-risk activity, and sometimes accidents occur." If you do want or feel a need to provide details, keep them as factual and simple as possible, and explain that we train for these scenarios, etc. Remember, your dialog with a visual media reporter is a 'performance' as much as it is a dialog. Stay confident, look in one direction, avoid moving your eyes around. Try to avoid "uuhhh,,,, mmmmm,... weeeeellll,...and other verbal distractions. Just because you're the DZO or DZM doesn't mean you're the right person to speak to the media. Find that nice-looking, articulate guy or gal on the dropzone and have them represent you and your DZ. The media serves one purpose and one purpose only. They need to bring a story back to the station. DZO's, S&TA;'s, or media personnel at the DZ can shape the voice of the story, and help direct the flow of the story by being courteous, professional, and helpful. Or, they can create a bad image for the DZ and the sport by reacting badly. Just as you have a job on the DZ, the press has a job too. One way or another, they're going home with a story. Wouldn't you rather have a say in how that story is presented? BUILDING A CRISIS KIT/EPK A Crisis Kit or Electronic Press kit is a great tool for DZ's whether it's used for crisis management or event promotion. This kit is a DVD that contains: -Contact information and a headshot of the DZO, DZM, or other authorities for the DZ that are permitted to speak to the media. -A "fact" sheet of statistics related to skydiving. This is available from the USPA website. -Random video clips, well labeled, that show happy times in skydiving. Hoop jumps, tandems, RW, VRW, wingsuiting, etc are all good to include. These clips should not be more than :30 in length. These provide the media with cutaway shots, and will quell their desire to create more than the "real" story in the event of an incident. It also will help promote your DZ in a positive manner, regardless of what has brought the media to the dropzone. I recommend delivering in a .mxf format, high definition is preferable today. Any news station can open a Material eXchange Format file. DV is next best, preferably widescreen. -Contact information for the USPA, assuming you're a USPA dropzone. The USPA has a PR team there to support and help you. Provide them as a resource. Most savvy DZO's know that any press, good or bad, is good for business. However, if you can work with the media, provide them tools and assistance, make them feel welcome and appreciated regardless of their role on the DZ, they can become a weighty ally for your dropzone whether you're promoting a competition or just sponsoring an Easter Egg hunt. The media can be free advertising and provide a draw to your location. Used wisely, you can dramatically increase traffic around your dropzone. Blue skies and puffies, ~douglas
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Try it for yourself. Industrial doublestick is available everywhere. We put a GoPro on a Bonehead Mindwarp and ran Spectra 500. Using an archery scale, we measured the pull (helmet in a bench-mounted vise). With the spectra wrapped over the mount itself at the tape point, just over 240lbs was required to rip the camera from the helmet. if the line was snagged at the lens, just over 100 lbs of force was required. There is no higher point on the camera which could be used as a snag point, or I'm sure the forces/leverage would have further reduced. Either way...that's a lot of force that could have quite an impact on your opening or your neck. Don't kid yourself just because it's "only tape."
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I choose not to use one because I'm primarily jumping camera and/or wingsuit and an RSL/MARD isn't for me. In those areas, it can be just as harmful as helpful. However, were I jumping in any other discipline, or were I a newer jumper, I'm a proponent of RSL or MARD use.
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I use the ER4's, and love em. They're great for wingsuiting too.
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STOP! STOP! STOP! We really have to listen now becuase CHARLIE SHEEN thinks something happened. This half ass of an actor who couldnt complete rehap god knows how many times has the answers so we all should listen to him. Charlie Sheen doesn't say he "thinks something happened" but rather says he represents the families of those killed in the attack, and that they have questions that haven't been answered. There is no doubt that there are still questions; why does it matter whether Sheen is "half-assed" or fully credible? Who he is doesn't change the questions. If you've read the 9/11 commission report, there are many holes and half-answers, suppositions regardless of which side you're on.
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Lukachuka'ii' (sounds like "Look atcher guy" when said properly and fast). My female dog is named "Luka" and my male is "chuka'ii" It means "the place of white reeds"
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For the time being, hopefully you're asking them before they ask you, but in any event, they should be asking before grabbing. It's just common etiquette and a habit everyone should have before touching someone else' rig.
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This should have been very specifically covered in your FJC. Grab an instructor and have them show you exactly what each component does, and they should pull the pilot chute, thus extracting the Dbag, then releasing the main canopy. All of the other components should be pointed out and specifically explained as to function and correct storage/position/ coverage. Understanding the older systems can be learned a bit by watching the Bill Booth documentary, but I believe you'll gain more by asking your local instructors.
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You can't. It's been demonstrated time and again. If you read the STICKY in the Photography forum, you'll read two separate examples of well-known skydivers flying outside camera, intending to "not pay attention" to the camera, and finding themselves in a jam. It's not the size/weight of the camera that created the 200 jump recommendation. It's the way it changes the way you'll fly and what you're paying attention to whether you think you are or not.
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As Phree suggests, a complete, easiest answer comes with knowing which version of PPro you're using. But... If shooting with a CX100 going to DVD, Encore settings are going to be NTSC DV Wide, unless you're cropping your image from wide to 4:3 in Premiere.
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WEVA is primarily aimed at the wedding market, but it also is a conference for EVENT videographers, and there are three power sessions on making high-speed, short form event videos the best they can be. These fall directly into the category of what we do. Lemme know if you're attending, would be fun to meet skydivers there. It's at the Orlando Hilton resort, Tues-Thursday next week.
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What would you think about getting an invitation like this?
DSE replied to skymama's topic in The Bonfire
Absolutely. No one should feel compelled to attend, regardless of friendship. Just decline soon enough so she can add another name to the list. -
Yes, it's offensive. It illustrates what kind of offenses mankind is capable of. And I believe that's the intent of the photograph, to demand attention and call for an awareness. If the photo underscores a point in the presentation, by all means, use it.
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What would you think about getting an invitation like this?
DSE replied to skymama's topic in The Bonfire
~~~~~~~~~~~~ Here's the thing- these are very good friends who invited us to this "party", so we almost feel obliged to go. But, I've met her songwriter friend before and I didn't really care for her. I know she's not taking a sabbatical, she couldn't make it in New York and has moved back home into her parent's house and doesn't have a "real" job. Yeah, I could pop for the $25 and just go, but I didn't like her music either and don't really want to sit through her songs. What would you do? A-house/personal concerts are rapidly becoming a new trend in the world of "i-music." You'll see more n' more. B-Notice that the donation covers a "complimentary" copy of her latest CD. C-I'd treat it like any other event; if you want to go, to. If you're not interested, don't. FWIW, one of my favorite gigs/performances ever was at the home of Sid Kroft (remember HR Puffenstuff?) in Deer Valley, Utah a couple years back. Lots of Hollywood and NY snobbery present, paid well, and because of how they set it up, I wasn't "background music" but rather a performing artist that attendees sat and listened to. I'm SURE there were people invited who probably weren't interested in hearing me perform for an hour. I'm glad those that didn't want to attend didn't attend; it probably would have killed the great vibe I felt as a musician performing for those that wanted to hear my music. In short, if you don't enjoy that sort of music, be busy doing something else that night. -
How to make a snow angel / Visiting Brokeback Mountain
DSE replied to unclecharlie95's topic in Wing Suit Flying
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SEARCH is your friend. At full rez AVCHD, you'll get approx 15 mins on a 2GB stick. CX7 records a 1440 x 1080 stream vs newer cameras that record a 1920 x 1080 stream.
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all I know is I'm still on a list to receive one for review, and allegedly they're not shipping yet.
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I guess I'm wrong. I know I was removed from two loads (both after fueling) because I was #16 or 17. It was a real shocker. But, I did get some fun exit shots on the two loads I was on, so I guess that makes up for it.