pds

i got half of it covered, guaranteed. now about the other half...... namaste, motherfucker.

umm, i did find myself trying to pause the end of that video... looked like skin to me! tease! namaste, motherfucker.

you are so a post whore, jt namaste, motherfucker.

> SELECT * FROM whuffos WHERE clue > 0 0 rows returned namaste, motherfucker.

just a little sumpinsumpin namaste, motherfucker.

uh, urine samples? you could take the bottles that held the narcotics and fill em with gelcaps full of laxative, leave em on top of the urinal at dz bar sit back and take bets.. namaste, motherfucker.

meow. i got a tip for you...... namaste, motherfucker.

chill, kung foo. finding out who you can't trust doesn't always come so cheap. and the satisfaction of that little crunching sound last but a moment. old enough to know better and young enough not to give a fuck....

luvin ya, kiddo. namaste, motherfucker.

also, if less than 600, dont worry about it. namaste, motherfucker.

just indicate it as OTHER INCOME on your regular return. unless that is your only reportable employment. namaste, motherfucker.

Mary Cutrufello Genres Country Styles Americana, Singer/Songwriter Houston-based singer/guitarist Mary Cutrufello was raised in Connecticut, where she grew up idolizing Bruce Springsteen; after graduating with a degree in American history from Yale, she relocated to Texas, where in the years to follow she built a fervent fan following on the local club circuit. Featured on Jimmie Dale Gilmore's 1996 LP Braver Newer World and its subsequent tour, that same year Cutrufello self-released her solo debut Who to Love and When to Leave; the record resulted in a deal with Mercury, for whom she recorded When the Night Is Through in 1998. namaste, motherfucker.

So sad we don't have video of Sky's 6 nipple kiss pass in the Bent Prop. it plays nightly in my inner eye..... need to go for 8 next time! namaste, motherfucker.

a simple 'here' or pm would be sufficient. thanks namaste, motherfucker.

i think 'the stand' was the last time i let him use my mflops. namaste, motherfucker.

what beer? namaste, motherfucker.

AGATACGTA namaste, motherfucker.

i am digging baroque right now. and especially this really obscure mix of vivaldi and celtic O'Stravaganza: Fantasy on Vivaldi and the Celtic music of Ireland Le Orfanelle della Pietà / Celtic Soloists CD Album/s : 5454942 Producer Hughes de Courson travels west with Vivaldi to arrange an encounter between the Italian baroque and the Celtic music of Ireland. For this new fusion of musical cultures de Courson and Youenn Le Berre bring together Irish musicians playing traditional instruments, and a baroque ensemble of strings and continuo named after Vivaldi’s pupils in Venice, Le Orfanelle della Pietà. Some of the finest musicians from each culture meet to play each other’s music, to improvise and exchange musical ideas and to find thrilling correspondences between the furious energy of Vivaldi’s Venice and the fiery romance of ancient Ireland. O’STRAVAGANZA Fantasy on Vivaldi and the Celtic music of Ireland Arrangements by Hughes de Courson and Youenn Le Berre namaste, motherfucker.

this is a really ephemeral subject. i have been bitpusher since 1982 and have a fair bit of code out there. i got a few pretty good takes on this subject (and a couple cockeyed ones too, im sure), but this medium won't do. come to eloy for a beer or 12 and im sure i will be able to interest you in a nice parrot! just fukkin kidding! about the parrot, not the beers. never kid about beers. namaste, motherfucker.

and on a lighter note, you may be interested to know that underneath the headlines generated by megacorp distibution conglomerates caught in self imposed death throes are artists who embrace file sharing as a viable distribution channel. it seems that there are people who actually trust others to buy what they use and ignore that which they don't. And there are actually people who pay. You sound like one of those kinds of people. As am I. I will not tell you how much digital music I have, but I will tell you that my MP3s did not come from my CD collection. Other way around. I find obscure artists that i have never heard and would never plop 20 bones down to check out and if they deserve my money - i give it to em. usually the only vehicle for that is to buy hardbits, CD's and DVD. ugh. someday. and what about people who have no money? the people who are not a possible market for something as frivolous yet vital to emotional well being. if you have a choice between paying for your internet access this month or buying 2 or 3 CDs, you are going to pay your ISP. so that money is not available for the megacorps to scrape out of your pocket anyway, so they are not losing a cent when you download the music that you are not able to buy. percieved loss is an interesting animal. hmmm, perhaps that person who has no money but downloads joeblows latest finds out that they really like it. this is a fan. spread word, eventually buy merchandise, future releases. blah blah blah. it is a slippery slope, but it is not as one sided and dismal as the RIAA and the big 5 will have you think. and that's just it, stop having them think for you. look at it from other angles. you might see a little light somewhere and just fuckin relax! namaste, motherfucker.

hey, time to lighten up. stop putting people on the defensive. you have made it clear that you feel some of us are thieves. that is your right. so if you are going to call the RIAA, do it, but shit man, give it a break here. a simple question was asked. there is and alway will be alternative channels of distribution of information. Why and how you use them are entirely up to you. as ol ivan says - 'may the force be with you' namaste, motherfucker.

this is just the beginning. save yourself some time and just stop and get a case ON THE WAY to the dz. congrats and keep jumpin, Sky namaste, motherfucker.

are you playing with yourself again, seb? namaste, motherfucker.

beacon Rodriguez!!!!!!!!! namaste, motherfucker.

nekkid namaste, motherfucker.