0
Michele

Art or Abuse?

Recommended Posts

Ok . . . how do we "feel" about this photo?

I've seen a bejillion variations on this "spaghetti head" photo. Clearly the child was "manipulated" in the vast majority of them to make a "statement" (usually an ad for some mom-n-pop italian restaurant).

http://www.allposters.com/-sp/Spaghetti-Head-Posters_i314898_.htm

HOW is this different? I fail to see it.
quade -
The World's Most Boring Skydiver

Share this post


Link to post
Share on other sites
I think the photo elicits laughter; there is the possibility that kid did that to himself. Leave a baby alone with a bowl of spaghetti and its going all over the place. I believe its the artists intention to get you to laugh at this (possible) scenario). The subject IS laughing.

Three year olds anquished over a lolly being used then tagging a political statements is (to me) is not 'just' going to happen. Children in direct contact of people using drugs (and having their formula stored in a Colt 45 bottle) is not natural and I (for the LIFE of me) cannot imagine a crackhead holding a sleeping baby while taking a hit. I find those photos deplorable and really am disgusted that the Smith Memorial funded it.

The photos in the link Michele posted, I found to be beautiful IF I IGNORE the message assigned to them. I'm more interested in how the parents of those children feel about the finished work~~April


Camelot II, the Electric Boogaloo!

Share this post


Link to post
Share on other sites
Quote


The photos in the link Michele posted, I found to be beautiful IF I IGNORE the message assigned to them.l



Which is, I believe, some people's REAL beef with the photos, but they're unable to articulate it in a way that doesn't sound like Republican whining.

The method's used to create the photo's is really no different than countless thousand other photographs. Whether or not the children laugh or cry is also irrelevant.

If a person has ethical issues with the emotional manipulation of the child model in a photo that represents "sadness" then they also ought to issues with the "happy" photos.
quade -
The World's Most Boring Skydiver

Share this post


Link to post
Share on other sites
They are different. I'll refer to the previous post where you asked 'HOW' are they different.

The photos of the 'sad' children are 'closed' photos. The artist intentionally set the frame as an 'editorial', then closes interpretation by GIVING it a title that doesn't leave perspective to the image, but takes it to another discourse. Any type of closed film/photo is going to lead the mind away from the image and to the intention of the artist.

An 'open' photo allows free interpretation outside the frame and the viewer is allowed to stay within the frame or interpret events leading to, or events after the shot.

Giving a free-interpretation of material always lessens the duty of of the viewer to wonder what actually is manipulated within frame.~~April


Camelot II, the Electric Boogaloo!

Share this post


Link to post
Share on other sites
Quote

If a person has ethical issues with the emotional manipulation of the child


I can only answer for myself, but I have no hesitation about making someone happy. I do have hesitation about making someone sad.

And I care a great deal about inducing pain on a child for financial gain. That bothers me, and it has nothing to do with republican or democrat. I'm not sure how much more clear I can be.

Ciels-
Michele


~Do Angels keep the dreams we seek
While our hearts lie bleeding?~

Share this post


Link to post
Share on other sites
Quote

Which is, I believe, some people's REAL beef with the photos, but they're unable to articulate it in a way that doesn't sound like Republican whining.

The method's used to create the photo's is really no different than countless thousand other photographs. Whether or not the children laugh or cry is also irrelevant.

If a person has ethical issues with the emotional manipulation of the child model in a photo that represents "sadness" then they also ought to issues with the "happy" photos.



Hardly a right vs left issue. I think any person with a sense of decency would be bothered by the idea of an adult tormenting a child who does not understand why he/she is being tormented, just so someone can sell some paintings. Why should someone who has an issue with a child being tormented also be equally bothered by someone inducing joy in a child? Her actions were plain mean and they were inflicted upon someone who was defenseless and could not even comprehend why this was being done.

Richards
My biggest handicap is that sometimes the hole in the front of my head operates a tad bit faster than the grey matter contained within.

Share this post


Link to post
Share on other sites
Quote

That bothers me, and it has nothing to do with republican or democrat. I'm not sure how much more clear I can be.



Then I don't understand why you and others have made these statements;

From your original post;
Quote


Further, add to that the titling of the shot. "Grand Old Party". "Misinformation". "Revelations". And so forth. To me, that's manipulating children into tears for her personal political and religious beliefs. To then sell these images, as a political and/or theological statement is horrific.



From a post shortly thereafter;
Quote


I don't agree with the premise of this particular artist's work - to abuse (and yes, I see it as abuse) a child to acheive a certain look for a shot which makes the artist some money - with the titles of "Grand Old Party" and "Spin."

To me, that objective takes it right out of the game...she's abusing children to get her own political commentary over. And that, to me, is the epitome of a selfish, abusive person.



From aprilcat;

The photos in the link Michele posted, I found to be beautiful IF I IGNORE the message assigned to them.
Quote



And more from aprilcat;


The artist intentionally set the frame as an 'editorial', then closes interpretation by GIVING it a title that doesn't leave perspective to the image, but takes it to another discourse. Any type of closed film/photo is going to lead the mind away from the image and to the intention of the artist.
***

So, at least in part, what I'm reading is that a large portion of the complaint actually IS the statement being made by the artist and not so much the methods involved.

The MESSAGE has absolutely no relevance on the ethics of the creation of the piece and must be considered as a separate issue entirely.

Afterall, I could easily take a photo (ethically) of virtually anything and give it an ironic or sarcastic title. In fact, it's done all the time.
quade -
The World's Most Boring Skydiver

Share this post


Link to post
Share on other sites
Quote

So, at least in part, what I'm reading is that a large portion of the complaint actually IS the statement being made by the artist and not so much the methods involved.


It's not about party lines. It's about abuse of a three year old child for political and theological statements, as well as personal financial gain. It's not got a whole lot to do with which party the titles fall in line with. Had she titled them otherwise, I'd still have issues with how the shot was achieved, and to what aim she manipulated the children into tears.

It's not a republican rant...it's not a democrat slam. It's the method involved, and the goals she had, when she created a shot. Abuse is illegal - if I make photos of someone beating their kid and called it "Poor White Trash", I'd be pillioried. And rightly so.

Quote

The MESSAGE has absolutely no relevance on the ethics of the creation of the piece and must be considered as a separate issue entirely.


If the MESSAGE is created prior to the shot, and the method obtained to make that shot objectionable, then the message is part of the manipulation and the goal of the shot. You know as well as anyone else when you start a shoot you have a goal in mind...and to abuse a child to get to that end to me is abhorent.

That's the point; there isn't some real big political underlying message from me here; rather, it's about the use/misuse of a child and the blatant manipulations and coercion to get the goal shot - which is political and theological.

Ciels-
Michele


~Do Angels keep the dreams we seek
While our hearts lie bleeding?~

Share this post


Link to post
Share on other sites
Quote

I think the photo elicits laughter; there is the possibility that kid did that to himself. Leave a baby alone with a bowl of spaghetti and its going all over the place.



Leave a kid alone without a bowl of spaghetti and it will eventually cry.....I fail to see the difference.

Share this post


Link to post
Share on other sites
Quote

Quote

I think the photo elicits laughter; there is the possibility that kid did that to himself. Leave a baby alone with a bowl of spaghetti and its going all over the place.



Leave a kid alone without a bowl of spaghetti and it will eventually cry.....I fail to see the difference.


Sooner or later a kid is going to cry ANYWAY, so my point is...WHEN do you take the shot?~~April


Camelot II, the Electric Boogaloo!

Share this post


Link to post
Share on other sites
Quote

Very well said. By the way, I had an opportunity to take pictures of a potential murder. I couldn't do it. It took me all of THREE seconds to think that one out.~~April



Really?

To my way of thinking it would be unethical and irresponsible to make the concious decision to NOT take the photo.

Admittedly, taking the photo puts the photographer in potential danger, but what if taking the photo leads to the capture and conviction of the murderer?

Here is one story of a fairly famous photo;
http://www.digitaljournalist.org/issue0410/faas.html
quade -
The World's Most Boring Skydiver

Share this post


Link to post
Share on other sites
Quote

Quote

Very well said. By the way, I had an opportunity to take pictures of a potential murder. I couldn't do it. It took me all of THREE seconds to think that one out.~~April



Really?

To my way of thinking it would be unethical and irresponsible to make the concious decision to NOT take the photo.

Admittedly, taking the photo puts the photographer in potential danger, but what if taking the photo leads to the capture and conviction of the murderer?

Here is one story of a fairly famous photo;
http://www.digitaljournalist.org/issue0410/faas.html


I was not in fear for my personal being. I've been threatened while behind the lens before and know how to choose to stay or get out of a situation.l My concern is working with the film. I'm not a journalist nor would I ever want to BE a journalist. I have issues with seeing people in trouble and thinking 'oh..this is going to be a GREAT photo' when I could be covering their wounds or taking pictures of homeless people when I COULD be getting them some soup.

To me, there's something pornographic in taking those sort of pictures; I'm not interested in making money or fame off the misery or other people. I'd testify in court, hell, they couldn't shut me up! But I can't use my instruments in that way. It's more about clicking the shutter, you have to live with what you've done through the image. I like sleeping at night...just my choice.~~April


Camelot II, the Electric Boogaloo!

Share this post


Link to post
Share on other sites
Michele - I'm in agreement with the points you've made.

This is sort of a "tail wagging the dog" scenario, which eliminates the integrity needed to call a photograph art.

you've got to ask yourself one question: 'Do I feel loquacious?' -- well do you, punk?

Share this post


Link to post
Share on other sites
Quote

This is sort of a "tail wagging the dog" scenario, which eliminates the integrity needed to call a photograph art.



Can you articulate that a little better?

I'm unclear what "integrity" is required for a piece to be called "art".
quade -
The World's Most Boring Skydiver

Share this post


Link to post
Share on other sites
Quote

Quote

This is sort of a "tail wagging the dog" scenario, which eliminates the integrity needed to call a photograph art.



Can you articulate that a little better?

I'm unclear what "integrity" is required for a piece to be called "art".



By integrity, I mean capturing something real.

Yes, the tears are real, the children are real, and their emotion is real, but that doesn't make a picture art. I can smack a kid under good light and snap a picture too. That doesn't mean I've captured something with my skill as an artist. I haven't created anything more than tears.

The fact that these are 3-year-olds certainly factors into it. You can dress up an adult or an older child to pose or play a character and name it something creative or disturbing and voila, art.

Anne Geddes takes adorable babies, dresses 'em up, puts 'em in fabric veggie patches and sells millions of photos because they're so damn cute. And the babies are either sleeping or laughing, which, aside from the hungry, sleepy or dirty-diaper tears, is how babies are naturally.


The point is, the photographer made these kids really mad IN ORDER to take a picture, as opposed to observing it naturally, or getting them in some other "make-believe" sad mode.


I'm not sure I just communicated my concept fully, but it'll have to do.

you've got to ask yourself one question: 'Do I feel loquacious?' -- well do you, punk?

Share this post


Link to post
Share on other sites
Quote


The point is, the photographer made these kids really mad IN ORDER to take a picture, as opposed to observing it naturally, or getting them in some other "make-believe" sad mode.



Children of this age can not distinguish between "real" and "make-believe". It's part of what makes the whole "Santa Claus" thing work.

But I digress . . . I want to go back up to the top of your responce.

Quote


Yes, the tears are real, the children are real, and their emotion is real, but that doesn't make a picture art.



What does?

What quality about anything transforms it from something that is not art, into art?
quade -
The World's Most Boring Skydiver

Share this post


Link to post
Share on other sites
Quote

What quality about anything transforms it from something that is not art, into art?



I dunno, but whatever it is, according to my own sensibilities and fairly broad exposure to a lot of credible art, this ain't it.

Well-shot pictures, sure. Evocative subjects, yes. But art? No.

I could run over a dog to have a poignant roadkill subject, but it was me who killed it, not a random car.

There's a line there somewhere, and her work doesn't cross it.

you've got to ask yourself one question: 'Do I feel loquacious?' -- well do you, punk?

Share this post


Link to post
Share on other sites
I have to agree with you, quade. While I can't say definitively whether this particular art exhibit constitutes "abuse" or not, I can't see any difference in most other "art" that involves children - photographs, movies, tv shows, etc....

Share this post


Link to post
Share on other sites
Quote

I have to agree with you, quade. While I can't say definitively whether this particular art exhibit constitutes "abuse" or not, I can't see any difference in most other "art" that involves children - photographs, movies, tv shows, etc....



You repeated yourself. So I must repeat myself, since no one was listening the first times.

GOOD FUCKING POINT.

:)
Why yes, my license number is a palindrome. Thank you for noticing.

Share this post


Link to post
Share on other sites
Quote

While I doubt she has broken any law (maybe emotional abuse but then I don't really know), she has certainly acted in an unethical manner. Deliberately manipulating an infant to inflict torment for the purpose of making the child cry for a picture is heartless and mean spirited.



That's how I see it.

There's a huge difference between taking a picture of a child in its "natural environment" and forcing a child into an negative emotional reaction.

If a child cries, the natural reaction of any sane and compassionate person should be to comfort it. Setting a kid up and then provoking emotional stress is just way wrong.

Look at the attached picture of my daughter. Look into her eyes and the way she is enjoying those strawberries: She is happy and content.

Now: Could/would you take away those strawberries - just to make her cry?

If you could/would, I am unable to have any respect for your sorry heartless ass.
»Somewhere between the lies and truths borderlines get shady.
Somewhere between the yesses and nos you can find the maybe.«

Share this post


Link to post
Share on other sites
Quote

Look at the attached picture of my daughter. Look into her eyes and the way she is enjoying those strawberries: She is happy and content.



She's cute. That joy she is experiencing is the only emotion an adult should deliberately try to bring about in a child. Only a sick person would deliberately try to interfere with that happiness.

Quote

Now: Could/would you take away those strawberries - just to make her cry?



No. The idea is repulsive

Quote

If you could/would, I am unable to have any respect for your sorry heartless ass.



Agreed 100%.

Richards
My biggest handicap is that sometimes the hole in the front of my head operates a tad bit faster than the grey matter contained within.

Share this post


Link to post
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

0