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rehmwa 2
QuoteGiven production costs, I can't imagine that they would wait for the baby to start crying naturally.
As I understand it, in Close Encounters of the 3rd Kind, the little girl met the aliens in one scene and they wanted her face to go from scared, to curiously confuse, then to delight.
So next to the camera, they had a guy in a gorilla suit jump out (scared), then he reached up to remove his mask (curious/confused), then he exposed his clown face under the gorilla mask (delighted).
I'm sure the artist is an asshole, but I don't think it was abuse unless she did something actually damaging.
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Driving is a one dimensional activity - a monkey can do it - being proud of your driving abilities is like being proud of being able to put on pants
aprilcat 0
But here, it's more akin to abuse when you consider the intent, the manipulation, and the deliberate provocation which occurred. And in a society wherein amber alerts are regular features, children's deaths are often violent, and Michael Jackson gets found innocent...I suppose I shouldn't be quite so perturbed when I see something an artist use children's anguish as a political or theological statement...but I am.
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I looked at the photos last night and tried to decide...I agree with your statement here. I'm against manipulating children to make a 'statement'. This brought to mind something that bothered me in the past (and still bothers me):
http://www.smithfund.org/kenneally.html
Do you think you can get a crackhead to pose for free? Of course not. Kenneally HAD to supply the crack and keep the party going to make it worth their while. Would she continue to shoot had a piece of hot glass blown up on the sleeping child's face? Though the messages isn't totally political, these children are put in precarious situations for the sake of a sociological statement. And I'm not buying it.
But it IS art. The artist seeks to tell her 'truth' in both pieces and if they have to scar a few little ones, so be it. I couldn't do it. I never want to 'say' something like this and I really wouldn't have too much discourse with the artists themselves about the pieces (because personally I think they are a$$holes for doing it). I'd say its art, yes, but in obtaining the image, its abusive.~~April
Camelot II, the Electric Boogaloo!
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I looked at the photos last night and tried to decide...I agree with your statement here. I'm against manipulating children to make a 'statement'. This brought to mind something that bothered me in the past (and still bothers me):
http://www.smithfund.org/kenneally.html
Do you think you can get a crackhead to pose for free? Of course not. Kenneally HAD to supply the crack and keep the party going to make it worth their while. Would she continue to shoot had a piece of hot glass blown up on the sleeping child's face? Though the messages isn't totally political, these children are put in precarious situations for the sake of a sociological statement. And I'm not buying it.
But it IS art. The artist seeks to tell her 'truth' in both pieces and if they have to scar a few little ones, so be it. I couldn't do it. I never want to 'say' something like this and I really wouldn't have too much discourse with the artists themselves about the pieces (because personally I think they are a$$holes for doing it). I'd say its art, yes, but in obtaining the image, its abusive.~~April
Camelot II, the Electric Boogaloo!
This point is most excellent. Party on dudes.
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